It is, in this writer's opinion, required reading before we move on, an inner truth and reconciliation to the last eight years that serves as an important reminder of what we must face and not allow again.
George Witte's Deniability begins with the fall of the Twin Towers, a poem appropriately entitled: Uh-Oh, reflecting the feeling so many experienced as they watched the attacks on 9/11, and proceeds chronologically through the physical, actual and psychological journey that would come to be known as the war on terror.
UH-OH (excerpt): No photograph records that day's unmasking roar / Things ripped from skins, words from definitions. / Letters distilled until incomprehensible.I first became familiar with the author's work when I stumbled across Witte's previous collection, The Apparitioners, and was so impressed by its form and substance, its free-flowing exploration of American life that led one reviewer to refer to Witte as the "Frost of the Suburbs," that I purchased several copies for friends and have reread it many times since. It was therefore with anticipation that I awaited my copy of Deniability as a new and unique linguistic presentation that would cause me to think about American life.
What I found was a chronological exploration of American conscience through the last eight years of war and terror that makes Deniability more than just a great book of poetry (and it is). George Witte's new collection is the best opportunity I've seen for Americans to peel back the layers on their own experience of the last eight years. Continued...